Striped Stash Yarn Choux Sweater [sweater pattern by Jessie Maed Designs]

Choux Sweater Ravelry Link Here

I love this sweater pattern design by Jessie Maed. I love a lot of her designs and the Choux Sweater combines my desire for a loose, comfy, basic sleeve, loose arm opening and no seaming after you're done knitting. Getting to wear a sweater right off the needles rather than having to get around to blocking and sewing the pieces together is... magical. I knit to relax and get away from my more detailed forms of fiber work. This sweater pattern has the delight of immediate gratification when the knitting is done. I did have to stitch in a bunch of ends before this one was ready to wear, but I can do that with little effort while watching tv. 

I'm never totally sure about how a pattern like is going to come together, or how much I'll end up liking the style and fit. So I decided to go with stash yarn for the first run on the Choux Sweater. I don't have 3 skeins of any one stash yarn (probably not even 2 skeins)... so stripes. I have a lot of blues. Likely because I don't tend towards blues, turquoise yes, but not basic blues, so they've piled up. I got all the blues and their variations together, created a sample and washed it. (If it won't survive the washing machine in a lingerie bag, it's not worth knitting). I figured it was good enough, but as I started knitting the actual full-sized sweater, I didn't like it. I added a variegated sock yarn that has blue, turquoise, pink and plum, that solved my color problem. Just a little spot of pink/purples made it so I was excited about knitting this. I also sampled the stripes in single rows and double rows. I have something else large from a few years ago that I had started in single rows that I'm ripping out now, I like it for the Tin Can Knits beanie that I live in at work in the winter, but for a whole sweater I decided to change yarn every 2 rows. 

First Try-On

"You're knitting with pretty big needles for you" my friend Jenn commented as I cast on this project at our local tea shop in Old Town. She's right, knitting any bigger than size 4s is unlikely for me, even 4s are pushing it. Maybe it's just the fingering yarn size that kept this still fun to knit. I also don't really like heavy sweaters. I used to think I hated wool sweaters, but it was the weight and density that I used to find uncomfortable and suffocating. This is wool, so it's warm, but with the larger needles it's somewhat light, almost airy. A perfect comfort level. 

I have, in the past, created my own dolman style sweater that the COVID lock-down helped me finish. I was trying to keep track of how I knit it, but that wasn't fun. I knit it bottom-up and stitched the top of the arms up to a loose neck opening. I do love that sweater, but I didn't love figuring it out, and it's a bit bulky. I wanted to create a similar sweater but I wanted to work off of someone else's pattern. Jessie put this sweater out just in time (I bought 3 sweater patterns from her Ravelry shop during her birthday sale, hoping one would be ideal, the other 2 are raglans). I started this on a mini ski trip with a friend, messed up the middle area gsr pattern, had to pull that out and restarted. Tracking this on Ravelry, it looks like I finished this in about a month and a half. That's pretty good for me for a whole sweater. I have the size 9 needles and a great pattern to thank.  

Detail of stretchy bind off that I took out

The pattern suggested a stretchy cast-off for the bottom if you tend to knit tight. I do knit tight, so I used Jeny's Surprisingly Stretchy Bind off (there's a lot of links if you google that one). Upon my first try on it was TOO stretchy and I didn't like the way it hung. So I took it out and redid it with my normal bind off, which isn't really stretchy, but it fits my hips and that's what matters. 

My next blog post will be about the matching earrings

Perception

I doodled this idea 10 years ago and let it sit until it was no longer deeply personal but something that I was experiencing on a regular basis. Perceptions spin out of control. I was spiraling, and still can. We all can. Spiraling emotion and experiences are chaotic and fragile for me. The weaving alone was too clean, so I eventually decided to add sequins. I found these helped visualize what I was feeling, and were both chaotic and fragile to work with. This piece reminds me of where I was, but also that things get better with time and when I gently move through the chaos instead of sidestep or avoid it.  

I took this piece off of my loom last spring and it took me bout a year to decide and finish because:

1) what else needed to be done with it (adding sequins)
2) what sequins to order, it took me a while to narrow it down to not spending $300 on sequins, this has 5 different style.
3) should I or shouldn't I wash the weaving first?
4) How to sew the dang sequins on and in what way.
5) Finish/hanging work

I have to thank my friend Abigail for asking me if I could create hair pins for her wedding a few years ago. They were to match the beading on her dress which was very dimensional. I had never worked with sequins before or considered that they could do much more than lay flat. I had a lot of fun with that project and it added a new technique to my toolbox. Check out those hair pins here. When I wanted my weaving to feel messier, I eventually realized that sequins were the way to go. 

I did wash this piece. The black portion is woven in twill and the colored is woven in plain weave. Washing helped the twill weave fill in a bit for sewing the sequins on. We won't talk about the amount of width I lost when I washed this though. 

Sewing the dang sequins on. I thought I'd sprinkle the sequins and stitch them on in little sections as I sprinkled. Sequins don't "sprinkle." They are staticky and stick to everything but where you want them to be. Mostly your fingers. This was a process, I kind of shoved them together in sections trying to vary the different sizes, finishes and shapes. I really love how the sequins turned out, but this was not as fun as beading is for me. 

The finish work. I give a seminar talk on thinking ahead of time about how you'll hang/present your work and I did none of that prep work for myself on this piece! I was kicking myself when I got to this part and hadn't looked at the header or bottom in almost a year. What was I thinking? I was so focused on having clean selvages for this weaving that I got caught up in that instead. I was going to add a hanging mechanism for the top and bottom but decided it was fine if there's only one way to hang this. I just like to have options. I'm happy that Perception turned out about like what I had in my head. I'm also glad it's done and I can move on to finishing some smaller projects before getting back to my next weaving. 

Angry Angry Angry Feminist Statement Bangle

I am always changing and learning about myself and I process that through my artwork. Lately I have been struggling with the world at-large which makes it difficult for me to focus on my larger works, so I do what's most comfortable, bead. Distilling my words to exactly how I'm feeling or reacting helps with my daily processing. Angry Angry Angry Feminist [literally] speaks for itself and where I am at right now.

I was going to submit my Feminist Statement Bangle to a fiber art call-for-entry, but I wanted the submission to be a bit more robust. Like, tell me how you really feel. So I quietly show my hand [arm] and gauge whether someone is worth talking to, with my guard up. I know how I feel, and have always felt, I go on about this in the Blog Post for the first Feminist Statement Bangle so I'll leave my soapbox in the corner for this post. 

Life is good in the little bubble of our house with my husband, 3 cats, turtle and our creativity and love. I'm trying to be kind and patient day by day. This is what's going on inside my head when things get a bit off-kilter. 

Leaf Pins Commission

Last year I mentioned in this blog post that I was gifted an amazing stash of delica seed beads (along with other fun things!) from a fellow artist who's sister had passed and had been a beader and fiber enthusiast. I has asked if I could make anything with her sister's beads as a thank you and she requested one pin in fall colors and then later one in spring greens.

I had finished the fall colors (above) at the end of last year and then the request for spring greens came in. I have struggled a bit with creating lately but the green one was top of my list when I got inspired and/or motivated again.

I just finished the spring green pin (below) and wondered the whole time, "is this spring green?" as it's not a color I use, like, ever. I naturally lean towards more muted, drab greens or swing the completely opposite direction into bright lime greens. Luckily, her sister had a collection of greens that added a new layer to my bead stash and plenty of option for spring green. 

These pins shipped off to Detroit yesterday and I'm inspired to use these greens that I don't usually lean towards. I have some earrings and a bracelet in the works right now. I'm reminded of the years where I used to use color forecasting to help me pick colors for a new set of beaded jewelry. That became overwhelming because, yes there are still trends, but it also feels like everything is "in" anymore. New, vintage, any color, any way you like it. I'm finding it nice to have had someone direct me into this color for some more spring beading. Updates on that new jewelry to come.