Coffee Filters and a Drop Spindle

I remember being very young and standing in Jeanne's living room trying to spin something on a drop spindle. I hated it. I couldn't tell you what fiber I was trying to spin, or the type of wood spindle, but I do remember the warmth and eclectic collection of knits, quilts and lovely textiles that cradled me in her living room. The feeling that I learned to expect when in a knitter or weaver's home. I recall standing near the bay window and probably wanting to do anything but trying to spin yarn on an overcast day.

I can buy yarn that's already spun, why would I want to spin it? And thus was my attitude for the next 20-odd years until I saw Sarah C. Swett spinning coffee filters into yarn, weaving them and posting it to Instagram. (More on her spinning fun things HERE).

Last summer I started rinsing and drying my used coffee filters. My husband woke up to coffee filters drying on the back porch and around the kitchen and didn't say a word, he probably thought "well, Jenny's up to something" and moved along with his morning. I didn't have a plan at this point, but I figured if I was going to spin coffee filters, I'd need more than a few. I don't know what it is about being able to make something that is already used up into yarn, but when I feel like playing, I just go for it.

I did check out my local yarn shop for drop spindles, and they have some, just the basic Turkish spindle, and it just wasn't that...pretty. I've found with my textile tools, I'm more apt to enjoy to process when the tool I'm using is beautiful. I decided that the Convergence Conference Marketplace would probably be the place to find a pretty drop spindle. 

Eugene Textiles Center's booth had a collection of used drop spindles. A number of the ones I was eyeing on the first day were already gone by the time I decided to purchase on the second day. Clara and I were meeting for lunch at the Marketplace and she had just taken a class around creating roving and I thought she might know what "whorl" or weight of drop spindle I may need. Ultimately we decided it probably didn't matter at this point and I picked out a pretty top whirl burl wood spindle. 

It's a tool I've never used before (except the one, maybe a few attempts as a child) and I am now captivated at the beauty in it's simplicity. I had packed some coffee filters just in case I found a drop spindle and the time...so when I did find the time I started cutting the filters into strips. I knew I had found the description of how to cut coffee filters to get a long continuous piece, Sarah C. Swett again to the rescue! Her coffee filter cutting blog post is HERE.

"Did Jenny pack garbage for her trip? Yes, yes she did." -Bryan told me this passed through his mind after I had come home and showed him the coffee filter yarn I was starting to make. I love that he told me this.

My spindle started feeling full so I just wound it off into a skein with the niddy-noddy I have in my collection of fiber tools yesterday. This first skein is single ply, 1.4 oz, approx 102 yards. What am I going to do with it? I'm not sure yet. I feel like knitting it, but it's fairly stiff and needs to be damp to be a little more pliable. It seems like most of what I'm seeing paper yarn used for is weaving. I'm not quite there yet, just enjoying this coffee filter yarn spinning process for the time being.

Jesse Maed's Totally Tank Top (Racerback) in Turquoise

I love Jesse Maed's designs, they're really fun to knit. I was hooked with the first one that I knit thanks to Sarah's suggestion of "My Secret Little Crop" (which I have knit 3 of) and then I got into Jesse's other designs. This Totally Tank Top took me forever (see it's tag), for a crop top anyway...longer than I'm used to...ok, I was learning. I ripped this out and restarted at least once (twice?) and then it took me 3 tries to get the neck edging right (for me). 

I knit the Medium size. I extended the arm opening (at least 2 inches, it was 70 rows total) which also created more of a scoop neck that I like better. The first time I had enough of this knit up to try it on I was following the suggested strap length and the arms holes were tight and the neck much too high for me.  

I love Jesse's designs because they're super easy to make adjustments on. I chose the "ribbed" arm and neck finish which I seemed to be picking up the stitches weird and this yarn blend wasn't "ribbing" it just wanted to lay flat on this needle size so it decided to be a "design choice" a pattern at the end of the day. I ended up knitting a lot less stitches (58 ish on the sides) than called for in the pattern (75 on the sides) for the neck.

I put my first tag in a hand knit piece :)

I've worn this a few times and I'm finding it really versatile and summery, which is what I was going for. 

Convergence Conference 2024, Wichita Rundown

Sunset view from the Riverwalk my first night in town.

Convergence 2024, where to even start?  This year became all about the people for me. I want to meet more weavers that I feel like I clique with, but I get shy. Last Convergence I took a chance when I saw Elizabeth (weaverbee.ca) in the gym and introduced myself because I follow her on Instagram and love her posts. That turned into us hanging out together in Knoxville, catching up on the phone over the last 2 years and then being roommates this year! You can find her too on Instagram as @WeaverBee.

Elizabeth/WeaverBee, I had a great time being roommates!

So when I saw @SydsThread (SydneySogol.com) in the Convergence Marketplace wandering around by herself I got up the guts to tell her I love her posts and am a fan, same with @ComfortCloth (comfortclothweaving.com) who I caught at breakfast the next morning. I now know them and Sydney and Tegan instead of just their Instagram handles. They were both leaders this year for conference and through them I also got to meet Denise Kovnat. We all ended up piling into an Uber when I found the three of them waiting for in the lobby and I had some free time to go see the Complex Weaver's Exhibit.

Outside of Elizabeth/WeaverBee these are the ladies 

I ended up spending the most time with; Denise, Tegan and Sydney!

John Mullarkey (malarkycrafts.com) was shopping when I got to catch up with him and he joined the group that Elizabeth had already compiled for dinner before we all headed to the fashion show. Karen Donde (karendondehandwovens.com) was part of that dinner group who is the outgoing President of Complex Weavers, passing the torch on to Elizabeth at their conference which was just before HGA's. I also seem to have started to make a point to have an afternoon catch up with Clara at Convergence Conferences who I know from our years together at the Lansing Weaver's Guild, she lives in Florida now and we overlap a little between her time there for Complex Weavers and mine at Convergence. 

John and I

Clara and I

I got to meet a bunch of the interns and talk about fiddly weaving things with Andrea! Getting to join this Conference would have been a dream for me at their stage in the Fiber Conferences realm and I'm glad to have them joining us (they have REALLY LONG days as interns so thank you thank you thank you for all of their hard work.)  Check them out on Instagram: @AndreaAlexanderArt @AnneXavierHeide @Arghavan_Booyeh.Art @LesMaillesSerrees

Group Photo with some of the interns and Sydney! (Check out Andrea's scarf!)

I've generally been terrible at taking photos and I'm impressed that I remembered to take some selfies as I connected and reconnected with other weavers.  When I go to a multiple day weavers conference I tell people it's not a vacation as much as I'm going to "commune with my people" because the energy at these is just wonderful.  I wish it didn't trickle away so fast as I settle back into my normal day-to-day at home...this year I'm going to make myself make sure to reconnect, text and zoom to keep it going.  Also, there were so many others, these were the people I hung out with the most and linked up with on Instagram. 

Selfie with "Is there a thing..."

I'm sure there are plenty of other's posting about their time at Convergence so I'll focus on my stuff. I was excited that I had 2 of my pieces accepted into the Mixed Media exhibit this year (it's the first time I've had two!) "Is There a Thing to Which Brings Us Less Joy Yet We Devote More Time" and "Playing With Fire." Both of these pieces are woven in Double Weave Pick Up and I hand dyed the warp and weft. "Is there a Thing..." has it's own beaded edging.

Is There a Thing To Which Brings Us Less Joy Yet We Devote More Time

Playing with Fire

Playing with Fire selfie

I also submitted my Klingon Light Bangle to the Leader's Exhibit because it hadn't been accepted to anything with HGA and has aged out....and it's a piece that I love and wanted to show here.

Klingon Light Bangle

I had 2 seminars this year. Two! It's the first time I've had more than one of my proposals accepted. I was feeling down after the whole proposal processes and thought that I just might not do a seminar at all if only one was accepted again this year. It's costly to go to Convergence and not much is covered with a 90 minute seminar. I decided to move forward with the accepted proposals since I had more than one this year. They both filled just enough to be a go which I was happy about, and yet, at the same time, I had a lot of anxiety and stress (I do this to myself) with the preparation and leading up to the Conference. I'm glad I did it though. Most of my class for "Hands on Finishing your work" brought in things to play with and get ideas as to how to finish pieces, and I learned a lot from teaching the "Keep Track of Your Digital Art Life" which I'm providing video to my students to reference since I know it's hard to retain things that I'm learning on the computer without doing it over and over. I'll be submitting these proposals again and I have more to add and along with some cleanup in my PowerPoints.

I voted my tripod out of the luggage for weight reasons 

and refusal to have more than one checked bag...

bring the tripod next time (I had to stack my luggage to get a good height)

I mentioned I was feeling down after submitting proposals and I learned why that was as I talked to other Leaders while I was there. Part of the submission process is submitting what you have taught in the past 2 years. Outside of the occasional conference I don't do much teaching. I've found a day job that I love and I've realized over the past 8 years that I hate the artist's hustle. My general well being is so much better knowing I have a consistent paycheck and security (like medical insurance and such). That being said, I have a lot of pride in the fact that I have had the opportunity to be a Leader at this conference for the last few conferences. It's beyond my wildest dreams that I'd ever have artwork accepted to these exhibits on the regular and then the fact that other fiber artist's value what I have to share?!  It's a dream and I feel very fortunate to be where I'm at today. I don't have to keep the momentum that I used to have, but I do have to keep some, otherwise I think I'd be a bit disappointed in myself. So, I'll plan on some new proposals and old ones will be submitted again....we'll see how it goes. This year threw me a curveball and there are a few different paths life could take and I'm learning that I struggle with that kind of uncertainty. 

Weaving and Life Update

I'm close to the end of my "Yes And" weaving commission. I can see the end of the cartoon and the warp. I was on a roll weaving a little bit every day but life has thrown off my groove. By my tracking I'm weaving about every 4 or 5 days lately.  I've been to the doctor and the vet more in the past three and a half months than I ever have in my life. There's also change, joy and grief floating around our home.

I've had some medical stuff, most recently what I thought was a cold was bronchitis for like 2 months. I finally went in and my doctor got it under control (I'm so thankful we found one we like, who's helpful! and listens!)  I've always hated bugging anyone with something that will probably just go away on it's own, but this year is full of things that aren't that simple. 

On the happy end of things the universal cat distribution system moved a sweet black stray cat who's paws were torn up and bloody under our porch. He was immediately our outdoor lap cat and we started feeding him and named him. We spent much of our Seattle trip to see Madness worried about him (his paws getting infected, him having to fight the other strays) but we couldn't get an earlier vet appointment and we couldn't chance him bringing anything in the house and possibly getting our other 3 cats sick. Once he was clear to come in we kept him separated while we were at work or sleeping for a few days but it's been a pretty easy introduction into the family. Bruce is the only one who's dramatic, Morgan, Lois and Clark just look at him like "what's with all the hissing and growling."  They just thump him when he gets annoying or too aggressive. He's starting to chill out. 

On the heartbreaking end...Morgan was looking rough about 3 years ago, he's 21 this year and we found out back then that he has hyperthyroidism. So he bounced back with his pills, but then things took a turn a few weeks ago and we go an official diagnosis that he has lymphoma. He's not eating, not excited about treats, is a little wobbly on his back legs and losing weight quickly. I'm taking this harder than I thought I would and I'm realizing it's the first time in my life I've really had to deal with end of life choices for an animal I am close to. Danielle's death was abrupt and animal death on the hobby farm i grew up on was a little different. Morgan and Bryan have been together the whole time so half of Bryan's life he's had Morgan.  There's a lot of hanging out with Morgan and making sure he's still happy and comfortable. 

My anxiety about handouts and PowerPoints for my seminars at the Handweaver's Guild of America Convergence Conference has subsided as the time I have left with Morgan has taken priority.  I know what I want to talk about in my seminars, I think I have it organized in a way that makes sense, the handouts are simple and I'm printing them today. I can tweak PowerPoints on the flight to Wichita if need be, but those came together easier than I suspected they would once I got going.  So Morgan and I have watched all of Season 3 of Bridgerton together and are on to Queen Charlotte. He also enjoys laying on the cat cube in my studio while I weave so when I've had the mental space to do that, I make sure he knows that's what I'm up to. Our vet has assured us 21 is a good long life for a cat, but its still hard to watch him stop eating and laying around in odd areas. 

Lois and Clark are "helping" me pack for Convergence.  I'm looking forward to my yearly communing with my people. Teaching can feel like a lot (I don't know why, I'm fine when I get there) but being around so many creative in the fiber world is always invigorating and inspiring. Of course, when I have things I need to finish, inspiration to start new projects is extremely enticing. I have a lot in my head and on paper, I did start pinning up one idea...we'll see where that goes. 

pinning up an idea I've had for 10ish years...

Jesse Maed's Outline Tank in Orange & Long Fringe Earrings

Art Installation on our walk to the Madness show!

We went to a metal concert on Valentine's Day at St. Andrew's Hall in Detroit and there was a woman there wearing a long skirt with large checkers. I had to compliment and inquire where she got it. Shein of all places, which is known for inexpensive (like really really cheap) fast-fashion clothing. She actually had me feel the fabric to confirm it was nicer than one would expect, I agreed and, of course, I ordered it. I recall a long period of time where it was hard to find checker-anything and it's practically a staple "color" for me so I don't usually hesitate to grab something checker right now while it's back in style. 

I love the skirt (yes, it will probably pill, it's already fuzzing weird after one wear, fast fashion and all) I decided I want to wear it for the Madness concert we went to this month in Seattle. I needed to pick a top to go with it and nothing that I had or was shopping for was inspiring me. I had purchased 2 patterns from Jessie Maed Designs in February so I decided it was time to knit one of those tops. The Outline Tank called to me and I went on the hunt for a really bright saturated color yarn. Of course there was nothing in my stash that fit the bill so I went over to Woven Art to hunt something down. 

I wanted a cotton/linen blend but everything was in neutral or pastels, in the sale area there was a lovely orange Manos Del Uruguay Alegria, a merino superwash and polyamide blend which I was worried would be too heavy for a drapey tank top, but I knit up a sample swatch, washed it and really liked how it turned out. (I also bought and knit up a sample of the Mojave cotton blend but what I thought was maybe a grapefruit color was much more pink when it knitted up than I liked). 

I had a month to knit this top. So I got started, it only took me 2 weeks, including a few tear-outs. I can thank our day at Pinball at the Zoo' for helping move this knitting along. Bryan drove (knitting time) and I was on the easy part of stockinette stitch so I got about 2.5 inches done between the drive and knitting while waiting for my turn on the machines. I also ended up hand-winding the second skein of this yarn on the drive there since it kept getting tangled on my swift. Thank you to Gotham Knits on Instagram for normalizing hand-winding a yarn ball for me! I really love the soft light weight of this top and yarn. The only issue is that the "outline" detailing isn't showing much in the straps and neck. The yarn is a little too squishy, next time I knit this I'll use a more structured yarn.

I was going to do a separate post for the earrings that I made, but they belong with this top. Even without the skirt finishing off the look....

I don't usually like to bead fringe. I pull too tight and it gets all kinked up, then when I loosen it, it seems to gap and have thread showing at the top between the bottom of the stitched base and the top of where the fringe starts, gravity taking its toll on the spacing. This is why I prefer to stitch beads into each other one and a time, tight and controlled. Not OCD at all....

(lighting is weird in this photo)

These actually turned out. 30 years of beading made me think through what would work best for my particular beading issues. A thinner thread makes me bead looser (it snaps when I pull too tight), I don't back through the fringe, I thread the fringe gently. I'm really proud of myself at how well these turned out, I kinda expected the same too-tight fringe disappointment but here we are with a successful pair. For a moment I thought, maybe I should start making fringe-earrings. They're really fun. Then I remembered how much I hate bead-stringing and I only do it when necessary. I'm not interested in getting into the habit of making these to sell, so fringe will come when it's needed for another outfit. 

I've gotten a lot of complements wearing the earrings and top together and separate. The Madness concert was awesome and I was glad to have a bright ska-outfit for it :)

Neon with Muted Greens and Tan Jewelry Multi Loop Checker Earrings and Bangle

Between perusing Pinterest for current color ideas and watching the movie Poor Things I had the urge to play more with the neon green-yellow beads I have stocked up. The colors of, everything, in Poor Things from the costuming to the entire set and spaces was a feast of color combinations I wouldn't normally think of. I'm attracted to the color but sometimes struggle to use specific colors in a meaningful way. I like the neons but they're just...SO bright and that's not normally "me". Then I started seeing it blended with muted tans, browns and the sorts of greens that I know I can work with. 

I was in and out of consciousness with a cold at the beginning of April and these colors called to me when I couldn't get back to sleep in the early mornings. While I was stuck in bed and on the couch for 2 days straight trying to get over being sick I decided to bead in my waking moments starting with the Multi Loop Checker Earrings. These earrings reminded me that I had made the Two-Toned Double Weave Bangle which sold much too quickly. So I pulled out that pattern draft as a base idea with this collection of colors.  

I started the bangle with the same colors as the earrings but I had also pulled a very dark matte green bead too.  As I was beading I wasn't sure I was going to add it on and then it just..happened. I need the dark I guess, even if it's just a little bit of pop. It looks black in these photos against all the other lighter colors but I promise, it's green.  

I've worn the earrings to work a few times and gotten compliments, I plan on wearing this set to Cathryn Amidei's gallery reception tonight night at WSG Gallery with the neon boatneck bat wing lace top that I knitted last summer. 

Pantone Color of 2024: Peach Fuzz Bracelet and Huggie Earrings

I usually like to do something with the Pantone Color of the year when it comes out, this year is Peach Fuzz, which doesn't feel very exciting for me but I like how it's being paired with lavender so I decided to try it out on some jewelry. 

I made these a couple of months ago and just couldn't get back into the colors. When I think of pastels along side my artwork it just doesn't fit and they tend to end up in my jewelry stock for a long time. When the artist is uninspired, it tends to show. So I stopped after this bracelet and earrings. Maybe something else will come to me, but my bead palette seems to have already moved on from these colors. (See: Golden Boundary Bangle) Oh well, I tried. 

The last 2 years' colors were much more fun for me, 2023 was Viva Magenta and 2022 was Very Peri. 

I will admit that taking the photos and editing them for this post is making me like this set a bit more. I'll also blame the season changing. It's finally starting to get green and bright, I'm noticing more people wearing these colors in particular as the sunshine begins to promise us summer. Maybe, just maybe I'll try again if these colors call again.