Yes, And: Second Sample and Checker Colors

Before I got going on the full-sized weaving for "Yes, And" I tried a second sample warp with a little bit of color in the black warp. I was curious as to how it might read. I didn't want to be weaving that idea later and think "oh man, this would have been great in Stacey's weaving." I got 6 inches of it done before my meeting with the church to take as a sample to pass around. 

Ultimately I think the color in the black warp is a little too distracting.  The color portions came out as dotted lines in the twill weave structure and I feel like it takes away from the design overall. I am glad I tried it out just to see what it did and so I could confirm that it wouldn't work how I wanted it to with curving text. 

Now this...

I had warp left over to just play and weave fabric. I decided to see how I might want the color to move in and out of each other for the final commission piece.  To keep things simple, a little quicker and not mess with another paper cartoon I went with my favorite pattern: checkers. I really love how this fabric turned out and it confirmed that the way I want to move the colors through the 48 inch long weaving; bright to dark to bright again...I don't want it to look like a rainbow but I still really want to use as many colors as I think will look good without being stripey feeling.   

With the checker pattern I don't feel like the dotted lines of color in the the black warp are as distracting. I suspect its because because the design is straight lines so the dotted lines of colors just sort of fit in. I really love this fabric and I'm torn between finishing it to make it into a little wall hanging or washing it to use as part of a clothing accent piece. One of the things I enjoy about being a fiber artist is I sometimes get to wear my work. 

I had created a smaller checker sample at the end of the warp for "Playing with Fire" so I could see how it washed up. I usually don't wash this fabric as it ends up as wall-hangings so, even though I know weaving has shrinkage, it definitely shrank more than I realized it would. 1 1/8 inches to be exact. The twill allows the fabric to get a little squishy with some stretch.  It washed up really nice though, which is what I was hoping for.

Playing with Fire (Small Weaving)

I doodled these matches back in 2015. I had gotten divorced, I was out a lot and "playing with fire" was feeling like the best description for me and my life at the time. I was either lighting a fire or burning everything to the ground. I liked the look of this small sketch that I had drawn one night and set it aside. I didn't forget about it like I usually do when I doodle, it resonated with me.

Fast forward to now, my life is rather calm and I no longer have to manage drama and chaos. No more "playing with fire" in the figurative sense, it's a reminder of what that part of my life was like. 

So here we are now, I started sampling for a new commission and it seemed to be the perfect warp setup for this image that's been hanging around in the back of my mind and in my computer files for 9 years. I blew it up and started weaving. I don't feel like I have had a ton of success with my hand drawn designs but this is making me think that maybe I'd been trying too hard. Maybe I simply need to doodle and then blow up the design.

Black side detail

I'm referring to the side with more color as the "front" and the black based side as the "back" on this work. I'm quite taken with both sides. Just when I think I like the black based side better, the stark "sketchy" black lines of the colored side rope me back in. 

Colored side detail

This is woven from rayon that I dyed myself, the colored warp is plain weave and the black is a 2-2 twill. The finished piece measures 8.75 in x 16 in.  
 

Weaving off Extra Warp

When I prepare all of my large weavings I always put on extra warp and often have extra weft yarn. Most of my larger weavings take me up to 2 1/2 years to create and in that amount of time design choices I made early on can change or I might want to play with something at the end of the weaving.

Sometimes I get to that extra warp and just...play. When I weave in Double Weave Pick Up, it's a plain weave at base. Remembering what twill looks like when the loom is already tied up for it is nice. I do my double weave tie-up as any normal tie-up, 1, 2,3,4. This week I started a very simple twill and just kept going.

I was mesmerized, I had the time and quiet space, I had bobbins of weft to use up. I started day-dreaming of what the fabric was becoming and what I could make out if it. I have a thin strappy satin top that I love the shape of. I could start with something like that....Beaded or loomed straps....who knows. I forget how quickly straight-weaving goes. Still not fast by any means but much quicker than 1/4 of an inch per hour.

Or it could just sit in my stash for years like so many other fabrics. I'm trying not to add projects beyond my focus for new wall/installation pieces. I'm part of a group show this September 2023 and I'm really excited but nervous that I won't have much new work.  Either way it'll be fine, but having a deadline is really helpful for me to get work out of my brain, into the sketchbook and then into reality so I'm using it as a driving force.

*Bonus Content*

I did my first Instagram Live video cutting this piece off the loom. I didn't realize I was recording so I look dumb for the first few seconds 😂. You can find that HERE.

Art History Daydream 2002?

Art History Daydream by Jenny Schu

The title of this piece comes from the fact that the original image I worked off of was a doodle in the corner of my Chinese Art History lecture notes.  I was working a lot in Theo Moorman inlay weaving and this is one of my favorite pieces I've done in that technique.

Detail

The base layer is plain weave black rayon and the colored inlay is a mix of different chenille.  This piece measures 31.5 inches long by 33 inches wide.

My favorite response to this piece is from one of my Kinder-campers one of the years I was teaching art camp.  There was a teacher's show and I had submitted this piece.  In class he came up to me and told me that he could see dragons in my weaving.  

Leaf me Alone #1

This is the small version of a much larger draft.  I needed to get back to my passion of double-weave pick-up with a small piece after having exhausted myself with triple-weave pick-up.

Detail of beaded edging

I really am enjoying doing some smaller pieces so I might stick to those before warping my loom for the massive plan I have for this particular series.  I have been making so much jewelry I forgot how good it feels to play with extra warp on double-weave.

"Leaf me Alone" was started as a thought process when I was married and miserable, but in general, I need a lot of alone time.  I don't mind (and sometimes prefer) doing things alone, skiing, dancing, concerts. I was lost in the woods a few times on my Porkies Residency, and the leaf cover was always so comforting.  Loneliness is important for me, I suppose it's like meditation. I feel very fortunate to have found someone to share my home with who feels similarly.  We do things together, but we don't need to.  So the Leaf me Alone series looks like it will continue popping up in the next group of smaller weavings (and by small I mean, approximately 15in x 10in).