Yes, And: Second Sample and Checker Colors

Before I got going on the full-sized weaving for "Yes, And" I tried a second sample warp with a little bit of color in the black warp. I was curious as to how it might read. I didn't want to be weaving that idea later and think "oh man, this would have been great in Stacey's weaving." I got 6 inches of it done before my meeting with the church to take as a sample to pass around. 

Ultimately I think the color in the black warp is a little too distracting.  The color portions came out as dotted lines in the twill weave structure and I feel like it takes away from the design overall. I am glad I tried it out just to see what it did and so I could confirm that it wouldn't work how I wanted it to with curving text. 

Now this...

I had warp left over to just play and weave fabric. I decided to see how I might want the color to move in and out of each other for the final commission piece.  To keep things simple, a little quicker and not mess with another paper cartoon I went with my favorite pattern: checkers. I really love how this fabric turned out and it confirmed that the way I want to move the colors through the 48 inch long weaving; bright to dark to bright again...I don't want it to look like a rainbow but I still really want to use as many colors as I think will look good without being stripey feeling.   

With the checker pattern I don't feel like the dotted lines of color in the the black warp are as distracting. I suspect its because because the design is straight lines so the dotted lines of colors just sort of fit in. I really love this fabric and I'm torn between finishing it to make it into a little wall hanging or washing it to use as part of a clothing accent piece. One of the things I enjoy about being a fiber artist is I sometimes get to wear my work. 

I had created a smaller checker sample at the end of the warp for "Playing with Fire" so I could see how it washed up. I usually don't wash this fabric as it ends up as wall-hangings so, even though I know weaving has shrinkage, it definitely shrank more than I realized it would. 1 1/8 inches to be exact. The twill allows the fabric to get a little squishy with some stretch.  It washed up really nice though, which is what I was hoping for.

Moving a Macomber Loom; Meet Beatrice

Beatrice all moved in and put together

Well, I wasn't planning on purchasing a new-to-me loom in 2023, but here we are.  Sherri (my now-retired fibers professor) brought up that Anne (another fiber artist who was weaving with me at University of Michigan's Art School way back when) was wanting to sell her 16-harness Macomber loom and I should purchase it. Sherri has brought it up every time we've gotten together over the past year or two. I figured that it would be much more expensive than I was able to afford, but I wanted to be able to tell Sherri I had at least talked to Anne about it. 

Anne wanted to sell it to me at-cost that she paid for it back in 2002, she's taken immaculate care of storing it and it needed a good home. This loom new, with all the extras, bells and whistles she sent along with it would be over 10K and she made me an offer I'd be silly not to take. 

Bryan next to loom as I took it as far apart as possible

Bryan and I went over for a lunch visit and to take a look at the loom, make sure it would (barely) fit in my studio and start planning on how to move it.  No matter how we shifted it, it wasn't going to fit into my Explorer without taking it apart further than I was comfortable with. I took off all the beams, and we packed up what we could to lighten the load for the big moving day. I started thinking of a name for my new loom other than "the Beast" which kept turning into Beatrice in my mind, which is one of my favorite Shakespeare characters. So she was named.

Delilah moved out

I was going to pick it up sooner than later but then the box truck at work was out for repair and I got COVID the week we had planned. The Universe must have know I needed the extra time anyway. In the meantime, about a month and a half, I finished weaving the warp I had going on Delilah, made a rental reservation for the box truck from work, attempted to clean my studio (ha!), moved furniture to make a loom-path through the house. Two nights before the move I bought shoulder harness moving straps and we moved Delilah into the garage...

These shoulder harness straps are amazing. Moving really big heavy things sucks, but this product really made it suck less. For two in-ok-shape 41 year olds we were tired but surprised that it didn't hurt more. We tested the straps before the big moving day with Delilah so I could see what else we might have to move around for the loom-path. Delilah's second back beam is sectional beam which was really the hard part of not taking her beams off, the pointy metal spikes threatened to catch on walls and furniture but we made it out. 

Loom strapped to box truck, 

(we needed to pick up some OSB too, might as well get it while its easy)

For moving truck rental we found it less expensive to rent the box truck from Home Depot because they charge by the hour whereas UHaul charges a flat "daily rate" rate but then has an additional per-mile cost. We were driving to and from Ann Arbor and the mileage was going to be more than double the cost of what Home Depot charges. The box truck was extra large for the loom, but it's the only truck that has a ramp and no way were we lifting this upwards onto a truck bed!

We had to take a break at this point, 

I was getting sore, tired and crabby

Moving  Beatrice in the house was not the same as moving Delilah out. The 16-harness castle plus extra width for this beast of a loom made it juuuust wide enough that it was a struggle to get it through the back 32-inch storm door and then it stuck on the exterior door. I had to take the back door off of the frame (the hinge pins refused to budge for me) and the studio door off the hinges.

Second place we got stuck in the alcove

I was hoping that we would be able to walk her in place in a normal position, but the alcove before the studio was too tight to turn her around. Beatrice is 70 inches wide (longest side) and Delilah was only 48 inches wide...so we backed into the dining room, secured more of the moving parts that I was concerned about and lifted her on her side, repositioned the moving straps and shuffled her in. Beatrice just fits in the space with my mess of shelves all around. I can still move around her, but it's much tighter than with Delilah.

Tied up more and on her side

We got her moved in to the studio and I then waited until my next day off to put her all back together. I found that the beams had been in the wrong places, a spring was stretched wrong, some of it was not making sense and, thanks to google, I happened upon a blog that discussed Macomber looms specifically. Macomber Looms and Me turned out to be a help getting Beatrice put back together correctly.

It's taken me a while to adjust to her size, honestly it's been a bit intimidating. I should be working on a new sample for my "anger piece" but the desire to play with some more complex weave structures is really what I want to be doing so I've wound a warp to play with an undulating twill pattern. Undulating twill was the first thing that came to mind of what I could weave with more harnesses, and it was waking me up in the middle of the night with the need to sort out pattern drafts. I'm so excited to be warping something more complex than usual! 

Joy: Quiet

The cats are fed; I sit at my loom, the heddles tinkling together, crunching of paper, roll of the spools on my shuttles, the quiet of winter outside....

I used to listen to music all of the time, maybe it was to distract my brain so it would stop spinning out and just focus on what I wanted to work on. I don't need to do that now, I'm focused and in love with my life and my studio space. Sometimes music helps motivate me, but when I'm already motivated, particularly in the mornings, I enjoy the quiet. 

Since it's Valentine's Day I feel compelled to bring up how wonderful my fiancé is, he allows me to have my space and my quiet when needed. I've always struggled with living with others, I just wanted to be left alone. After I got divorced I figured I was just unable to live with another human ever again, and then I met Bryan. He moved in after 9 months of dating and is fine that our schedules don't line up and probably glad that he also has his alone time. His presence is not demanding, but gentle, kind and quiet. 

I have so much going on in my head (that is rarely quiet), so many projects, to-do lists, dreams and what-if's. Bryan doesn't get angry when I don't hear a thing he said because he can usually tell when I'm off somewhere else.  He silently watches me bead and stitch next to him on the couch in the evenings and clearly notices what I'm doing and the various choices I make as I'm creating.  My artwork flourishes and he provides educated critiques when I'm stuck on color or design. I have to say that having a partner that understands how necessary the peace and quiet is to me is of the utmost importance. 

I also remove myself from social media and will often leave my phone outside of the studio when I am working.  Even though I have it on silent, the compulsion to pick it up and look at notifications is difficult for me to manage. Texts, emails, social media is all noise that can take over my need for quiet. My days off and free time go better, happier when I remove myself from my phone. 

I have found that having the evening shift for my department at work gives me my mornings that I need for creativity to flourish in my quiet time. Quiet=Peace

Cheat-Warping (Tying on to old warp)

 I decided to make my next weaving the same width as the Leaf Me Alone (full sized) weaving which allows me to tie the new warp directly on to my previous one. I call this cheat-warping because I'm skipping the entire process of re-dressing my loom and pulling each warp thread through the heddles and reed. It still takes a while to put on, the above time-lapse video is about 3.5 hours of tying on each new thread to the old one on one of my 2 warps.  I'm not doing a video for the second warp, I keep setting it down to go do something else or picking at it during a Zoom meeting. Sitting for this long can be hard, there's some getting up, stretching, getting more coffee while I watch House on my tablet (which is why I keep staring at my loom's castle, my tablet is folded over it at about eye level).

Holding my cross.... 319 ends on this grey warp

30 ends of color pops per warp

I first tie on the larger bunch of warp threads and then the smaller warp bunches of spots of color.

Everything tied on and ready to pull through

Knots pulled through the reed.

Clark stalking the hanging ends of my warp.

All tied on!

This weaving (both warps) has 698 ends of warp. I used to think that's a lot, but it's mostly just the time. I've gotten really good at untangling thread over the years. I'm also using floater warps that you can see on the left and right of the main warp (2 threads). I'm hoping to get better at selvedges eventually.  :)

Off the loom: Leaf Me Alone (Full Sized) Update

I posted to my social media on Tuesday that I was becoming entranced with the beauty of simple plain weaving with hand-dyed threads as I wove off the last couple feet of the Leaf Me Alone (full size) warp.  Usually plain weave seems boring to me at this point but I think I was jsut happy to be back to my weaving since mask-making has taken over my year.  Even though I had no intention of getting on to the finishing portion of this piece, I still chose to cut it off the loom. Cutting a weaving off the loom to get a good full look at the final product tends to be a big deal.  Tuesday I cut it off, fixed a threading error from the warp so it won't happen if I decide to use it to tie the next warp to it and I threw it over the front beam, walked out the studio and closed the door.  I opened up the draft of the next design I'm working on and spent the remainder of the day working on that between chores. 

It wasn't until the evening that I really realized I hadn't taken a good look at the weaving I had just cut off and left. I had no clue why I was so lack-luster about getting to see the double weave and why I had started dreaming of things to make with the plain weave portion instead of staying focused on Leaf Me Alone.  It's this:  I've already woven this piece, smaller versions, but the same colors, same words.  I'm so bored with the colors! I think I need to leave this one lie for a bit before I can get back to it.  It will have a leaf panel with beaded and stitched pieces, so I'm working on that too, but here I am, completely over a piece before it's even done.  

In the meantime, I'm really really excited about this next piece, I finally have an idea of colors which I may be needing to dye for it (yay!).  It's going to be a similar look or feel to my other work but it's more for the times so I have to get it done before certain things, such as logos, become obsolete. The title of it came to me on an episode of Live From Here with Chris Thile, it's called "Is There A Thing To Which Brings Us Less Joy" More about that to come later. 

Until then, I'm finalizing the next design and the cats are stacking up around here. :)

Lois and Clark, 2 of our 3 kitties

Large Leaf Me Alone Weaving Update

So. Close. To. Done.... with the weaving portion at least. There's still hours of finish work to do once I have this off-loom. I'm weaving the reaminder of the header today.  I always make my warp about a yard longer than my pattern plans for.  I do this for 2 reasons, 1) in case I change my mind after I get a few inches in to the design of the weaving and I have plenty of room to re-start and 2) once the header is finished, I'll weave a mix of plain weave and the two fabrics in green or blue for the remainder of the warp.  The extra fabric I use to stitch leaves for the leaf panel on this piece.

I'm trying a new way of video recording for my YouTube channel, so here's this morning's video of me talking about finishing work, specifically the plans for this double weave pick up.  I hate the way I sound when I'm being recorded, but oh well, I just rattle on a bit here:

Leaf me Alone #1

This is the small version of a much larger draft.  I needed to get back to my passion of double-weave pick-up with a small piece after having exhausted myself with triple-weave pick-up.

Detail of beaded edging

I really am enjoying doing some smaller pieces so I might stick to those before warping my loom for the massive plan I have for this particular series.  I have been making so much jewelry I forgot how good it feels to play with extra warp on double-weave.

"Leaf me Alone" was started as a thought process when I was married and miserable, but in general, I need a lot of alone time.  I don't mind (and sometimes prefer) doing things alone, skiing, dancing, concerts. I was lost in the woods a few times on my Porkies Residency, and the leaf cover was always so comforting.  Loneliness is important for me, I suppose it's like meditation. I feel very fortunate to have found someone to share my home with who feels similarly.  We do things together, but we don't need to.  So the Leaf me Alone series looks like it will continue popping up in the next group of smaller weavings (and by small I mean, approximately 15in x 10in).